'I want a bit of The Slosh put into one of my Strictly dances'

Ross King's Strictly Ambition: A Taste of The Slosh for the Ballroom

The glitz and glamour of Hollywood might be his usual stomping ground, but LA-based showbiz presenter Ross King has his sights set firmly on the hallowed dance floor of Strictly Come Dancing. And when he imagines his ballroom debut, it’s not just the cha-cha or the waltz that spring to mind. King, a proud Scot, harbours a rather more raucous ambition: he wants "a bit of The Slosh put into one of my Strictly dances."

Speaking to the BBC, King, a familiar face from his reports on the likes of Good Morning Britain and Lorraine, revealed his long-held desire to participate in the beloved BBC competition. While many aspiring contestants dream of lifting the Glitterball trophy, King’s vision is refreshingly, and perhaps iconically, Scottish.

The Unlikely Ballroom Contender

At 61, King is no stranger to the spotlight. His career has spanned decades, interviewing countless A-list celebrities and becoming a trusted voice for all things Hollywood. Yet, the prospect of him swapping his microphone for a sequined costume and tackling the rigorous training regime of Strictly is, for many, an unexpected but undeniably exciting thought.

His candid admission about wanting to incorporate "The Slosh" – the energetic, often chaotic, group dance popular at Scottish weddings and parties – into a formal ballroom routine is precisely the kind of charmingly unpretentious remark that endears him to audiences. It suggests a genuine desire to inject a dose of his heritage and personality into the often-polished world of competitive ballroom dancing.

"I'd love to do Strictly," King stated with a characteristic twinkle in his eye, as reported by the BBC. "I've always wanted to do it. I'd love to get a bit of The Slosh put into one of my Strictly dances. Imagine that! The judges would go mad."

What Exactly is The Slosh?

For those unfamiliar with this Scottish institution, The Slosh is less a choreographed dance and more a communal, free-for-all celebration. Typically initiated by a caller, dancers form a circle, often linking arms, and follow a series of simple, repetitive movements that involve shuffling, jumping, and a general sense of joyful abandon. It’s a dance that prioritises participation and pure, unadulterated fun over technical precision.

Translating such a spirit into the structured world of Strictly Come Dancing presents a fascinating challenge. Would it be a novel group number? A surprise element during a solo dance? The mind boggles at the possibilities, and the potential for both hilarity and unexpected brilliance.

King’s vision might seem audacious, even a touch absurd, to the purists of ballroom. The judges, accustomed to critiquing posture, footwork, and musicality, might find themselves momentarily bewildered by the introduction of a dance that thrives on its very lack of rigid form. But is that not precisely what makes the idea so appealing? Strictly, at its heart, is about transformation, entertainment, and often, a touch of the unexpected.

King's Hollywood Edge and Scottish Roots

King's unique position as a Scottish presenter based in Hollywood offers a compelling narrative. He bridges two worlds: the aspirational, aspirational glamour of Tinseltown and the warm, down-to-earth spirit of Scotland. His reports often showcase a genuine warmth and humour, a quality that would undoubtedly translate well to the dance floor.

His understanding of the entertainment industry is second to none. He knows what makes good television, and he knows how to connect with an audience. If he were to join Strictly, he wouldn't just be a contestant; he'd be a seasoned performer, capable of engaging viewers and creating memorable moments. And what could be more memorable than a perfectly executed, albeit slightly wild, Slosh integrated into a Paso Doble?

The idea of him bringing a taste of his homeland to the show is something many viewers would likely embrace. Strictly Come Dancing has a long history of celebrating diversity and incorporating elements that reflect the contestants' backgrounds. From Irish step dancing to Bollywood influences, the show has proven itself to be a vibrant platform for cultural expression.

The Judges' Verdict: A Hypothetical Scenario

One can only imagine the reactions of the Strictly judges. Craig Revel Horwood, known for his sharp critiques and love of technical perfection, might initially raise an eyebrow. "Darling, what *is* that?" he might exclaim, before perhaps, just perhaps, being won over by the sheer infectious joy of it all.

Meanwhile, Shirley Ballas, the head judge, with her deep understanding of ballroom technique, might find a way to incorporate the spirit of The Slosh into a more structured framework, perhaps praising King's "character" and "connection with the audience." Anton Du Beke, a seasoned professional himself, would likely be delighted by the sheer entertainment value, while Motsi Mabuse would undoubtedly embrace the energy and fun.

King's ambition is not just about participating; it's about leaving his unique mark. It’s about showing that Strictly can be more than just technically perfect routines; it can also be about celebrating heritage, embracing joy, and, yes, even getting a little bit messy with The Slosh.

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King’s desire to inject Scottish flavour into his Strictly journey is a refreshing prospect. It’s a reminder that while the show demands discipline and skill, it also thrives on personality and a willingness to embrace the unexpected. Whether or not his dream of a Slosh-infused routine materialises, Ross King has already captured the imagination with his wonderfully unconventional ambition for the ballroom. One can only hope that the producers are listening. After all, who wouldn't want to see a bit of The Slosh on Strictly?